Boxes C, D and E are at Dress Circle level next to the stage. Offered 2 of the 4 front row day seats available but asked for £25 seats . For a full discussion, opinions, reviews, notes, tips, hints and advice on all the seats in this theatre, click on "BEST SEAT ADVICE" (on the left of your screen). You also avoid being suffocated by dry ice. View Apollo Theater seating charts for live shows! I could actually stretch out! Reader Taljaard also notes, The theatre is raked. Taller folk may find stalls premium seats have more legroom, though. There was a particularly tall person in front of me as is always the way, but if it wasn’t for this then there’d be no problem with the seats at all. "Box C: ("All My Sons" June 2010): I cannot recommend is the view from box C. I spent most of the performance standing up and leaning over the edge as that was the only way I could see more than half of the stage – I noticed the lady in box B doing the same. Any seats coloured LIGHT GREEN are sold at "premium" prices because the show producer thinks they are the best. A Grade II listed building, the exterior of the Apollo Theatre is designed in a Renaissance style, with an exquisite interior to match. The balcony above overhangs the circle but does not affect the view noticeably.

(My guest complained it was too close and not central but I thought they were good seats, though my guest is much shorter and the stage is higher than our heads so he would not have seen as much. I would have preferred more of an overview of the stage but I wouldn't discourage anyone from being on the front row, you get a good view of everything and there is plenty of leg room. Walk straight on, crossing Denman Street, and Great Windmill Street. A bit high but at £12 and if booked through the National Theatre no booking fee it is the best buy in London.

Good value tickets can be found in the rear of the Circle, still offering a great overall view of the stage. Will definitely look to sit here again at the Apollo rather than the upper circle.! The theatre is small, so actually anywhere further back would probably be fine. Due to a box office screw up we were moved to B17-18 before the show started. You may park for up to 4 hours after 12 noon, using this scheme and it is endorsed by the Society of London Theatre. At low price for other productions row X is fair value for the shorter, it feels, unless you have smaller theatremonkeys in tow. I did move to the centre seat of row O (which was almost empty) during the break because of the luxurious leg space in front of that row. Top non-premium price goes back to row T. The monkey would take T for comfort, but otherwise go for X at third price. Alternatively, if time allows, there is a postage to your home option, costing £2.95 (£4.95 to non-UK addresses) per booking, not per ticket. We were all very happy with where we were sat. Yes, it is a very old theatre with all the accompanying problems adapting to modern lighting etc, but stop fleecing the public." ", "F18 and 19: "Let The Right One In" (May 2014). Seven Toilets.

Clear, unobstructed view and felt quite close to the stage. The raise may induce vertigo from these rows. £27.75 TKTS Booth. It's probably better to be a little further back but whether it's worth the £10 / £20 extra to do this is debatable. (November 2017). The front row isn’t too bad, although the stage is a few inches above eye level. "D4: "Everybody's Talking About Jamie" (November 2017). Very expensive and not a good seat at all. Watching it from above, but fairly close to the action.". Apollo New Works is made possible with the support of a $2 million grant from the Ford Foundation for the creation of new work by artists of color, the initiative is also funded by a $1 million grant from The Andrew W. Mellon Foundation for the Apollo’s Master Artist in Residency, a central component of the program.

The Apollo Theater is a music hall located at 253 West 125th Street between Adam Clayton Powell Jr. Boulevard (Seventh Avenue) and Frederick Douglass Boulevard (Eighth Avenue) in Harlem, Manhattan, New York City. Our seats were in the seventh row and we were right on top of the action, of which we had an unencumbered view. ", "P14: "The Madness of George III" (January 2012). A metal bar runs across the side front of the circle, with a second bar at the ends of the aisles, affecting the view in outermost row A, notably seats 6, 18, 19 and 33 and B 12 and 13. Speakers hanging under the circle appear in sightlines from row R back. We had two seats centre of Row Q which turned out to be about as good as theatre seats get. Worth missing a bit of top stage action (which, the monkey feels, you probably won't miss anyway) for the saving, too. Side Blocks:  (November 2017). If taller than 5ft 8, don't even think of taking side block row F 7 to 10, and think seriously about taking F 23 to 28 or anything more than three seats off the centre aisle in side block row E. A single metal bar in front of the aisles affects the view from row A seats 12,13, 20 and 21. Very luckily for us, most of the action took place mid-stage, and it was a great play, so it didn't ruin the evening, but I would avoid Upper Circle in future, and wish the box office would be more honest about what constitutes restricted view. Good view of the stage from here.

Considering the legroom in the other cheap seats, but the view problems, the monkey feels these JUST average value - but a better alternative for comfort alone. Really great seats, could see everything very clearly and felt a part of the action. Poor legroom (but not unbearable for us, all around 5ft5ins), brilliant sightline.

", "Q21 and Q22: "Urinetown" (September 2014). There were very accommodating stating that they realise the limited legroom in those seats.

But for 20 pounds I was happy to sit anywhere. £20 'day seats' in row B, slightly restricted view but good value. ", "A13, 14 and 15: "Everybody’s Talking About Jamie" (November 2017). "Adam Kay: This Is Going To Hurt":Londontheatredirect.com charge £10 on £50, £8 on £40, £6 on £30 and £4 on £20 booking fee per ticket. Anyway even with the absurdly high stage we still LOVED the show. The best legroom I've ever had! It is a lovely little theatre, although somewhat warm even at this time of year; maybe they had turned the heating up, as the vast majority of the audience looked as though they would be in danger of hyperthermia setting in, after sitting in a chill for nearly 3 hours. Maybe they have lowered it for this production? Front Row B seats for 'Jamie' via TodayTix lottery has quite a restricted view due to very high stage and the school desks props which block views for pretty first 30 minutes of show. I would really advise people to avoid these, as they are not even particularly cheap. Wheelchair users can either park at the ends of stalls row R, for a reasonable view; or transfer to any aisle seat. Quite high but very little problem seeing everything.". Seats in row X have flatter backs and seem more upright than other seats in the stalls. The set itself, however, is split-level, with the upper level protruding to within a couple of metres of the front of the stage. ", "M13 and 14: ("The Country Girl" October 2010). I didn't find the stage high at all. Finally, if you are sitting in seats 1 to 7 of the front row, be aware; you may get a little wet at various points! For my money I'd sit in the high numbers if you're going to be in the stalls. A bit deep and you miss about 5% of the action upstage, but for that price and SO close to the rest of the action - for me best seat in house! Excellent view and good rake. I’ve never seen a stage this high. Ideal seats in terms of positioning as you are directly in front of the stage and the whole of the stage is visible.



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