Genres: Hard Bop, Jazz. His lyrical expressiveness graced almost every historically noted jazz recording of this time period.

Also included on the Paul Chambers set are the albums Chambers' Music and Whims of Chambers from 1956 and Bass on Top and The Paul Chambers Quintet from 1957. Known for his work with the Miles Davis Quintet, he was one of the first featured soloists for the stand-up bass. The first of two Vee Jay label dates by the acclaimed modern jazz bassist Paul Chambers is a fine exercise in hard bop, split between showcasing his compositions and famous standards. This box is essential. The alternate take of this one is two-and-a-half minutes longer. There's another classic here, as "Awful Mean" is emotionally neither, but instead cures Adderley's brief once-through melody statement into a vintage shuffle.

"I Got Rhythm" brings Cobb to the team, as a modal base from Kelly and Chambers buoys the wailing horns. "I Heard That" is called a "remake" though the original is just fine, and the second "remake" of the ballad "Dear Ann" (one of three attempts included) extends Chambers on his arco bowed bass melody, both pieces adding a ramped uptempo. Paul Chambers discography and songs: Music profile for Paul Chambers, born 22 April 1935. "Trane's Strain," an 11-minute legato orgy, was recorded and released on a Transition sampler called Jazz in Translation. Find album reviews, stream songs, credits and award information for 1st Bassman - Paul Chambers on AllMusic - 1961 - As a lead instrument in jazz, the acoustic bass… Bass on Top is another thoroughly engaging set of straight-ahead, mainstream jazz from Paul Chambers.The bassist leads a quartet comprised of guitarist Kenny Burrell, pianist Hank Jones, and drummer Art Taylor through a selection of standards, including "Yesterdays," "You'd Be So Nice to Come Home To," and "Dear Old Stockholm," as well as a handful of contemporary jazz numbers and originals. done anything to warrant a ban, this is most likely the case. Most of the players on these sessions had their musical vocabularies altered permanently by their participation. Find album reviews, stream songs, credits and award information for Go - Paul Chambers on AllMusic - 1959 - The first of two Vee Jay label dates by the… Explore releases from Paul Chambers at Discogs. Your computer may be infected with malware or spyware that is making automated requests to our server and causing problems. Away from their membership in the Miles Davis Quintet, Chambers, Trane, and Jones created a standard for all of Chambers' recordings for Blue Note: complex yet airy arrangements, impassioned and highly stylized playing, and plenty of improvisation. Musicians on these dates ran the gamut from Elvin Jones to Donald Byrd, Clifford Jordan, Horace Silver, Kenny Burrell, Hank Jones, and Art Taylor -- an overwhelming number of fellow Detroiters. This recording and 1st Bassman offer different aspects of Chambers as a leader, with the latter album having him take on more responsibility as a lead melodicist. Detroit raised Paul Chambers was the prime bassist during the ‘50s and ‘60s. Alto saxophonist Cannonball Adderley and trumpeter Freddie Hubbard are on the front line, perhaps for the only time in their storied careers, and work well for the most part. You (or someone with the same IP address as you) might be using a script or program to download pages from this site automatically. If you are using a VPN, and other users of the same VPN are abusing the service, then you'll be automatically banned as well. Paul Chambers finally receives the Mosaic Select treatment and there's a surprise tossed in with his catalog for fans and connoisseurs: his material recorded for the Transition label. (Required), You can request being unbanned by clicking. Nixon, Dixon and Yates Blues (Improvisation), Confessin' (I'm Confessin' That I Love You). You might be using a VPN. Find album reviews, stream songs, credits and award information for Paul Chambers Quintet - Paul Chambers, Paul Chambers Quintet on AllMusic - 1957 - Recorded at a … Also included on the Paul Chambers set are the albums Chambers' Music and Whims of Chambers from 1956 and Bass on Top and The Paul Chambers Quintet from 1957. About Paul Chambers. There are some other odds and ends as well, but most importantly, the Transition material will be of prime interest to John Coltrane fans. This company sells your internet traffic to other people, meaning that other people can use your IP address and can break some of the above rules, causing you to be banned from this site. Paul Chambers finally receives the Mosaic Select treatment and there's a surprise tossed in with his catalog for fans and connoisseurs: his material recorded for the Transition label. Your IP was not banned by a person; it was banned by a firewall that uses an automated algorithm. It features Chambers, Coltrane, Pepper Adams, Curtis Fuller, Philly Joe Jones, and Roland Alexander. You requested a very large number of pages in a very short time, causing problems for our server (this can happen if you hit 'refresh' over and over). If so, you'll need to disable it when using this site, as it spams the websites you visit with fake requests. You might have a buggy browser extension installed. You could have been banned by mistake. Shop for Vinyl, CDs and more from Paul Chambers at the Discogs Marketplace. Albums include We Three, Bass on Top, and Whims of Chambers. What it all adds up to is nearly four hours of some of the most elegant, heated playing in hard bop history.

This is a set that goes beyond the boundaries of standard Blue Note fare (which is high-quality fare, indeed) and extends into the realm of pure musicology as articulated by jazz. We are hoping to eventually work on a solution for this when we have the resources to do so. The advantage in buying this reissue is that the second CD is comprised exclusively of outtakes from the originally issued tracks, and many of them have extended solos. Two other selections, "High Step" and "Nixon, Dixon and Yates Blues," were recorded on the same day and issued on the Blue Note sampler High Step. Of the originals, Hubbard and Adderley sound mismatched on the 6/8 to 3/4 calypso-swing "Julie Ann," where their harmonics don't quite synch up. Their teamwork pays off royally during "I Heard That" and the classic hard bopper with Cobb "Ease It," where the tempo persists, but the horns grow quieter and quieter in mezzo piano range to near nothingness -- the epitome of cool. There's not much we can do about this right now; you'll have to turn off your VPN in order to continue using the site. If you don't think that you've

After having played with the game changing bands of Miles Davis and John Coltrane, Chambers died far too young ten years hence in January of 1969, but left behind a memorable 15-year legacy, well represented by this recording where he was in his early prime.


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