The match-slapping is still heard but in a rather haphazard manner that is quite out of beat at times, such as in the fourth measure. It's really just about someone that means alot to you, and one day you just feel like they've changed. The majority of their first album was even recorded in one day! “In the early days (George Martin) had an assistant who’d go through rehearsals with us,” remembers Ringo, "and George would just come in for the take, to press the tape button. ‘I’m looking through you, and you’re not there!’”, Paul confided to Beatles biographer Hunter Davies that arguments between Jane and him may have led to her leaving for Bristol at that time in 1965. He must have had an argument with Jane Asher.”. These new mixes were used on the 1987 compact disc release of “Rubber Soul.” The only noticeable difference from the original stereo mix of “I’m Looking Through You” is that both the left and right channels are panned slightly to the center, allowing the vocals to come through slightly on the left channel. Jane went off and I said, ‘OK then. One matter that is tricky, however, is determining where the downbeat of each verse lands. These "Playtapes" are highly collectable today.

This was released on September 9th, 2009. I don’t hold grudges so that gets rid of that little bit of emotional baggage. However, the October 24th, 1965 recording did surface on the long awaited “Anthology 2” album. The new George Martin stereo mix from 1986 was used on the April 30th, 1987 released “, However, Paul went through a brief phase in 1965 where he wrote about his personal experiences with a degree of specificity. Coincidentally, the three songs in question, “.

This one I remember particularly as me being disillusioned over her commitment.” Jane Asher, whom he lived with at her family home at 57 Wimpole Street in London since November of 1963, was intent on furthering her acting career, which meant spending a good amount of time away from home in Bristol. No solo section was required for this track.

He lost that old attitude that you only press the button when you are going to do the take. This being essentially a ‘Paul song’ however you slice it, McCartney takes center stage with his double-tracked lead vocals and vibrant guitar leads in the final measures of each verse. From their very first official EMI recording session on September 4th, 1962 through the following three years, The Beatles were usually able to churn out whatever song they were working on in a relatively short period of time. An eight-measure bridge is next heard, which maintains the double-tracked lead vocals as well as the tambourine as heard in the final measures of the previous verse.
The first four-and-a-half hours were spent creating the rhythm track, which obviously included much rehearsal since only one complete take was accomplished during this period of time.

Since the acoustic guitar introduction includes two false starts, we can deduce that this is probably John since he did the same thing on the master tape of his acoustic introduction to “Norwegian Wood.” Therefore, the tambourine appears to have been played by George Harrison. I don’t hold grudges so that gets rid of that little bit of emotional baggage. Ringo opts not to match-tap this time around while George keeps his guitar ramblings to a minimum. The lyrics also refer to his changing emotional state: "Love has a … Instead of creating a stereo mix of the song, they used the original mono mix that presumably was created on October 25th, 1965. Working in this manner took more time, as evidenced in the time spent on some of the tracks on their late 1965 album “, When asked about the song in 1980, John Lennon simply said, “Paul. While there were plans to include the incredible “take one” studio recording on a proposed 80’s album to be entitled “Sessions,” this release never panned out.

the excerpts from Tashian's journal, he recounts asking Ringo what the tapping sound is on "I'm Looking Through You."

His "Out There" tour, which ran from 2013 through 2015, periodically included the song as well.

The mono copies of the album, however, did not contain the false starts so we can assume that the mono mix sent from EMI already had them removed. An excellent mono mix of the song was made shortly afterward, presumably on October 25th, 1965, in the control room of EMI Studio Two by George Martin and engineers Norman Smith and Ken Scott.

A repeat of the eight-measure bridge comes next which pretty much comes off without much of a problem. On April 11th, 2006, the box set “The Capitol Albums, Vol.

The first thing on the agenda was to fully record the new Lennon / McCartney composition “The Word.” After approximately five hours being used to complete this song, they worked from 2 till 4 am on perfecting the rhythm track for their third version of “I’m Looking Through You.”.
were released in this portable format, "I'm Looking Through You" being on one of these. Sometime in 1967, Capitol released Beatles music on a brand new but short-lived format called "Playtapes." Right around the halfway mark of recording their latest album, after seven songs being all or nearly completed, they devoted October 24th, 1965 to recording Paul’s latest composition “I’m Looking Through You.” They entered EMI Studio Two at 2:30 pm for two back-to-back sessions that amounted to nine hours. George Martin returned to the master tapes in 1986 to create new stereo mixes for the entire “Rubber Soul” album. Upon close examination of the first stereo mix of the song, which contains the rhythm track entirely on the left channel, we hear a tambourine being played simultaneously by someone. John does well in playing the folk-guitarist role with touches of well-performed vocal harmonies in each mid-verse. ‘I’m looking through you, and you’re not there!’” It caused a few rows. A simple introduction is included while an extended final verse acts as a fitting conclusion. An eight-measure bridge is next heard, which maintains the double-tracked lead vocals as well as the tambourine as heard in the final measures of the previous verse. "I'm Looking Through You" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was claimed that the 1965 mixes were restored, but because of a mix-up when putting the set together, a critical mistake was made. Therefore, American audiences got accustomed to hearing the song with a few extra introductory seconds that Britain never got to hear. The handclaps were done in quick-paced eighth notes in the introduction, half notes during most of each verse, and quarter notes during the last four measures of each verse as well as during the instrumental sections of the song. The two false starts of the acoustic guitar were left on the stereo mix when it was sent out to different countries, figuring they would know to edit it off when preparing their masters for release. I remember specifically this one being about that, getting rid of some emotional baggage. The Beatles viewed “I’m Looking Through You” as only an album track so they overlooked it for any late 1965 or 1966 live performances.

“Why do you not treat me right?,” he clearly asks. Only the bridge, which was written as an afterthought, tells the story without the veil of poetic license.

The eighteen-measure first verse then commences with the bass, drums and matches-tapping coming in on the second measure to accompany the acoustic guitar and Paul’s double-tracked lead vocals. Just purchase the box set “The Beatles In Mono,” which contains their whole mono catalog as well as the entire “Help!” and “Rubber Soul” albums with their original stereo mixes, all remastered.

“We usually talked more about music and records (than instruments). McCartney wrote the song about English actress Jane Asher, his girlfriend for much of the 1960s, and her refusal to give up her stage career and focus on his needs.


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