November 1852 in Villarreal, Spanien; † 15. “And Tárrega worked diligently, studying and working, searching and improving his new technique.

Diese Gitarre war ungewöhnlich laut und klangvoll und sollte für Tárregas weiteres Gitarristenleben entscheidend sein.

Er gilt als der profilierteste Gitarrist und Lehrer seiner Epoche und als der Begründer einer neuen spanischen Gitarrenschule.

Von besonderer Bedeutung und oft zu hören sind seine Werke, Francisco Tarrega — Francisco Tárrega Francisco Tárrega Francisco Tárrega (21 novembre 1852 à Villarreal, Espagne 15 décembre 1909 à Barcelone) est un guitariste et un compositeur espagnol. / PONCE, M.M. (Semi-awake, semi-dream …).

Hervorgegangen aus dem klassischen Spiel seiner Vorgänger Fernando Sor (1778–1839) und Mauro Giuliani (1781–1829) entwickelte Tárrega deren Interpretationskunst weiter, und führte die Kunstfertigkeit seiner Vorgänger durch verfeinerte Technik sogar noch über diese hinaus. Francisco Tárrega stammte aus einer musikalischen Familie. 8 in B minor "Unfinished"Bamberger Symphoniker, Bach, J.S.Cello Suite No. ( Log Out /  / TARREGA, F. Guitar Recital: Arango, Alí - ARANGO, A. / RODRIGO, J. Francisco de Asís Tárrega y Eixea (21 November 1852 – 15 December 1909) was a Spanish composer and classical guitarist of the Romantic period. / TARREGA, F. Guitar Recital: Aguirre, Rafael - SOR, F. / IBERT, F. / POULENC, F. / OHANA, M. / RAUTAVAARA, E. / VILLA-LOBOS, H. / CLERCH, J. The fingertip, depending on the nail’s hardness, lacked the necessary ability to hit the string with the correct resistance, and its softness yielded in a vain effort to get the desired strength and clarity. Guitar Recital: Kulikova, Irina - BACH, J.S. Sein Werk für Solo-Gitarre umfasst ca. / BARRIOS MANGORÉ, A.

This process required a new procedure and led to a complete change of plucking. He spoke of these efforts to people he trusted, those he believed capable of understanding and giving an opinion on such a delicate matter. This woman played always without nails and she had an impresived curriculum, she was even hired by BBC to present “La Vida Breve” of Falla and so on. He had been playing with shorter nails, and at that point was using only flesh. / PAGANINI, N. / TÁRREGA, F. Guitar Recital: Baranov, Anton - TÁRREGA, F. / LLOBET, M. / SÁINZ DE LA MAZA, E. / MANJON, A.J. they asked him. However, my understanding is that Prat claims that Tárrega suffered from a hardening of the arteries, which in turn had a deleterious  effect on his nails, rendering them useless.

During some months of apparent inactivity and spurred by a constant and keen desire for self-improvement, he had withdrawn into seclusion to resolve a problem that had been tormenting him for a long time. Guitar Recital: Victor, João Carlos - DOWLAND, J. Diskographie (CDs, LPs, ...), Biographie, Links, etc. / PIAZZOLLA, A. Though, as you say, it is highly romanticized, and there are no existing recordings of Tarrega, one almost gets the sense that he was closing in on perfection (if there was such a thing). Dabei sind insbesondere der Apoyando-Anschlag und die Stellung der Anschlagfinger zu den Saiten zu erwähnen. Copyright © 2020 Naxos Digital Services Ltd. All rights reserved. In about 1902, he cut his fingernails and created a sound that would become typical of those guitarists associated with his school.

The guitar was viewed as an instrument to accompany singers, while the piano was all the rage throughout Europe.

Diese Arten der Klangerzeugung, durch die der Ton langanhaltend und voll klingt, wurden zur Grundlage der zeitgenössischen spanischen Gitarristik.
“Little-by-little he lessoned the surface of the nail that protrudes beyond the fingertips of his right hand, more-and-more trying to avoid the influence of the nail on the sound.

Sorry, I forgot to mention that you produce some very authentic Tarrega sounds! The fingertip alone could avoid the nail. By the end of the 1870s, Tárrega was teaching the guitar (Emilio Pujol and Miguel Llobet as well as Daniel Fortea 1878-1953 were pupils of his) and giving regular concerts. Compositor y guitarrista español nacido en Vila real / Villarreal (Castellón) el 21 de noviembre de 1852. “My brother Juan Antonio, who was responsible for my enthusiasm for the guitar, accompanied my father and I on an April afternoon in 1902 to the Artist’s house on Valencia Street. A Biographical, Bibliographical, Historical, Critical Dictionary of Guitars (Related Instruments, Guitarists)”.

Francisco de Asís Tárrega y Eixea (katalanisch Francesc d’Assís Tárrega i Eixea), bekannt als Francisco Tárrega (* 21. Seinen ersten Gitarrenunterricht erhielt er als Achtjähriger.

Il a été l un des guitaris …   Wikipédia en Français, Francisco Tarrega — Francisco Tárrega (1852 1909) Francisco de Asís Tárrega y Eixea, auf Katalanisch Francesc d’Assís Tàrrega i Eixea, (* 21. OK, Certamen Internacional de Guitarra Francesc Tàrrega, International Music Score Library Project, Orquesta de Pulso y Púa Francisco Tárrega, List of compositions by Francisco Tarrega, Recuerdos de la Alhambra (Erinnerungen an die, Alborada (Morgenlied, Studie mit künstlichen, Oremus (eines von 30 Preludes, geschrieben 15 Tage vor seinem Tod, ein Arrangement eines Auszuges des Klavierstücks "Phantasietanz", No.

Some believe this was because he played without the nails needed for volume. By clicking "Ok" or by continuing to use our website, you agree to cookies being set on your device as explained in our, Cavatina - Highlights from the Guitar Collection, CAVATINA AND OTHER CLASSICAL GUITAR FAVOURITES. Guitar Duet Recital: Rost, Monika / Rost, Jurgen – SOR, F. / GRANADOS, E. / ALBENIZ, I. See the entry on Renata Tarragó.

Please note that all fields followed by an asterisk must be filled in. An infection permanently impaired his eyesight and when the family moved to Castellón the child was enrolled in music classes. Let me know if you find anything. On a concert tour in Valencia shortly afterward, Tárrega met a wealthy widow, Conxa Martinez, who became a valuable patron to him.
Francisco's nickname as a child was "Quiquet".

He advised Tárrega's father to send him for lessons in Barcelona. He is considered by many to be the father of the modern classical guitar Popular Sheet Music: on 8notes.com : Recuerdos de la Alhambra; Malaguena; Rosita Polka; View All.

Francisco Tárrega and María José (María Josefa) Rizo had three more children. Your family, perhaps?" / AMIROV, F. / LLOBET SOLES, M. / CASTELNUOVO-TEDESCO, M. / TARREGA, F. Guitar Recital: Mamedkuliev, Rovshan - SOR, S. / TÁRREGA, F. / BORODIN, A.P. Copyright Alastair Lewis 2010, Guitar Festival hosts a stellar lineup of performers, Rodrigo y Gabriela's latest album '8 Dead Alive', Guitar Legend Eric Clapton wows the crowd, A classical guitar treat at

/ LÓPEZ LÓPEZ, J.M.

I doubt it. Here is an extended excerpt from his biography, showing the relevant passages: “XI –CHANGE OF DIRECTION Tárrega did not appear in public again until June, 1902. Francisco Tárrega's transciption of a Chopin Mazurka performed by Stefano Grondono.

/ SOR, F. / SANZ, G. / BOCCHERINI, L. / CARULLI, F. GORGEOUS GUITAR - Best Loved Classical Guitar Music. Guitar Recital: Bulat, Srdjan - RODRIGO, J. / PONCE, M. / TÁRREGA, F. (Spanish Guitar Music), Guitar Recital: Korhonen, Timo - BEETHOVEN, L. van / WAGNER, R. / VERDI, G. (Transcriptions by Tárrega), Guitar Recital: Korhonen, Timo - TARREGA, F. / TORROBA, F. / ALBENIZ, I.

He died in Barcelona thirteen days later, on 15 December, at the age of 57. “Tárrega’s sensitive ears had adapted to the sounds of the orchestra, the string quartet and the cushioned hammer of the piano.

Seine Schüler, vor allem Emilio Pujol (1886–1980), Miguel Llobet (1878–1938) und Daniel Fortea (1878-1953) entwickelten Tárregas Stil in ihren Interpretationen wiederum weiter und halfen dadurch mit, Tárregas Methode zu einem heute in der ganzen Welt verbreiteten Stil zu machen. August 2020 um 21:07 Uhr bearbeitet. Er gilt als der profilierteste Gitarrist und Lehrer seiner Epoche, als der Begründer einer neuen Schule, der sogenannten neuen spanischen Gitarrenschule. Tárrega's father agreed, but insisted that his son take piano lessons as well.

Although Tárrega was only ten years old, he ran away and tried to start a musical career on his own by playing in coffee houses and restaurants in Barcelona. Das Schaffen und Wirken Tárregas bedeutet einen Markstein für die Entwicklung der Gitarrentechnik. / TURINA, J. / MERTZ, J.K. / PONCE, M.M. “On many occasions, the accidental loss of a nail had let him hear the mellowness obtained without the nail plucking a string. / TÁRREGA, F. / MORENO TORROBA, F. Guitar Recital: Cote, Alejandro Saladin - TURINA, J. (The Spanish Guitar) (Segre). Above all, he was repelled by the duration of sound in the forte, especially in the chords. / SOR, F. / CASTELNUOVO-TEDESCO, M. / GALLARDO DEL REY, J.M.

Change ), You are commenting using your Facebook account. Tárrega was born on 21 November 1852, in Villarreal, Castellón, Spain.It is said that Francisco's father played flamenco and several other music styles on his guitar; when his father was away working as a watchman at the Convent of San Pascual the child would take his father's guitar and attempt to make the beautiful sounds he had heard. I’d like to contrast that with Domingo Prat’s entry on Tárrega, in his “A Biographical, Bibliographical, Historical, Critical Dictionary of Guitars (Related Instruments, Guitarists)”, but the book is a) expensive, and b) in Spanish, which I don’t read.

Its superior sonic qualities inspired him both in his playing and in his view of the instrument's compositional potential.

By not using the nail, he consequently improved his touch and expressive action. A virtuoso on his instrument, he was known as the "Sarasate of the guitar". Guitar Music November 1852 in Villarreal, Spanien; † 15. Soon they were engaged. The first thing you have to watch out for is the sound.”, “And taking a file out of one of his pockets, he handed it to me saying: “You’d better file those nails . Both his first music teachers, Eugeni Ruiz and Manuel González, were blind. Did you enjoy your visit? 9 (pour Madame Pleyel)Sergio Calligaris, Beethoven, L. vanString Quartet No. / MALATS, J. [5], Unabhängig von spieltechnischen Neuerungen ging es Tárrega immer auch um die Erweiterung der künstlerischen Ausdrucksmöglichkeiten der Gitarre. / BERKELEY, L. / MALATS, J. Guitar Recital: Aguirre, Rafael - GIMENEZ, J. (Capricho Latino), CHOPIN, F.: Nocturnes / Preludes / Mazurkaz / LLOBET SOLES, M.: Catalan Folk Songs (Korhonen), Guitar Recital: Almeida, Laurindo - SOR, F. / BEETHOVEN, L. van / SCHUMANN, R. / CHOPIN, F. / GRIEG, E. / DEBUSSY, C. (From the Romantic Era) (1956), Guitar Recital: Höh, Volker - SCHUBERT, F. / MERTZ, J.K. / PAGANINI, N. / REGONDI, G. / MENDELSSOHN, Felix / SOR, F. (Romantic Moments).


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